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Review Reynolds offers up a fast-paced, well-plotted and skillfully-executed narrative that pulls the reader in from the very first page. ... The intriguing world the author creates comes alive on the page. FIVE TOMBSTONES from --BITTEN BY BOOKS JABRIL (Vampires in America) wins the 2010 RT Reviewer's Choice Award for BEST PARANORMAL ROMANCE (Small Press)--RT Book Reviews "Smart, suspenseful and sexy. D. B. Reynolds' characters linger long after the last page." --Kelley Armstrong (NYT bestselling Author of the Otherworld series) "D. B. Reynolds' debut novel is a fast-paced story full of dark power and rough primal action that'll keep you up late at night turning the pages. Her characters are genuine and damned likable, flaws and all. I fell in love with Cyn--tough, cool, and smart. I can't wait to journey with Cyn once more into her world of moonlight investigations, brooding vampires, and mystery." --Adrian Phoenix (author of A Rush of Wings and In the Blood 4 1/2 STARS AND A TOP PICK!(January 2010) A strong heroine, a sensual vampire and a menacing villain, evil in every sense of the word -- it doesn't get much better than this second installment in the Vampires in America series. Readers will have a tough time closing the book on this riveting story. Reynolds' complex mythology includes eight vampire lords who control North America. A top-notch series! -- ROMANTIC TIMES BOOK REVIEWS FOUR TOMBSTONES! Full of ruthless vampires, the story depicts an interesting society reminiscent of feudal lords. Raphael rules his territory like a king, adding to the mystique the vampires hold for the human population in the book. Major points go to Reynolds for creating a tough female protagonist who saves herself rather than waiting for the guy to arrive. Abandoned by her mother and basically ignored by her father, Cyn grew up in, as she describes it, "a virtual emotional vacuum" (Ch.24), and the resulting toughness in her character feels real to the reader. Suspenseful and action-packed, Raphael, while providing closure of some plotlines, leaves the door open for the sequel to which this reviewer looks forward. -- BITTEN BY BOOKS "Smart, suspenseful and sexy. D. B. Reynolds' characters linger long after the last page." -- KELLEY ARMSTRONG (NYT BESTSELLING AUTHOR OF THE OTHERWORLD SERIES) "D. B. Reynolds' debut novel is a fast-paced story full of dark power and rough primal action that'll keep you up late at night turning the pages. Her characters are genuine and damned likable, flaws and all. I fell in love with Cyn--tough, cool, and smart. I can't wait to journey with Cyn once more into her world of moonlight investigations, brooding vampires, and mystery." -- ADRIAN PHOENIX (AUTHOR OF A RUSH OF WINGS AND IN THE BLOOD)

About the Author Murray Bookchin is cofounder of the Institute for Social Ecology. An active voice in the ecology and anarchist movements for more than forty years, he has written numerous books and articles, including: Anarchism, Marxism and the Future of the Left, Social Anarchism or Lifestyle Anarchism, The Spanish Anarchists, The Ecology of Freedom, Urbanization Without Cities, and Re-enchanting Humanity. He lives in Burlington, Vermont.

Amazon.com Review "There are dragons in the twins' vegetable garden," announces six-year-old Charles Wallace Murry in the opening sentence of The Wind in the Door. His older sister, Meg, doubts it. She figures he's seen something strange, but dragons--a "dollop of dragons," a "drove of dragons," even a "drive of dragons"--seem highly unlikely. As it turns out, Charles Wallace is right about the dragons--though the sea of eyes (merry eyes, wise eyes, ferocious eyes, kitten eyes, dragon eyes, opening and closing) and wings (in constant motion) is actually a benevolent cherubim (of a singularly plural sort) named Proginoskes who has come to help save Charles Wallace from a serious illness. In her usual masterful way, Madeleine L'Engle jumps seamlessly from a child's world of liverwurst and cream cheese sandwiches to deeply sinister, cosmic battles between good and evil. Children will revel in the delectably chilling details--including hideous scenes in which a school principal named Mr. Jenkins is impersonated by the Echthroi (the evil forces that tear skies, snuff out light, and darken planets). When it becomes clear that the Echthroi are putting Charles Wallace in danger, the only logical course of action is for Meg and her dear friend Calvin O'Keefe to become small enough to go inside Charles Wallace's body--into one of his mitochondria--to see what's going wrong with his farandolae. In an illuminating flash on the interconnectedness of all things and the relativity of size, we realize that the tiniest problem can have mammoth, even intergalactic ramifications. Can this intrepid group voyage through time and space and muster all their strength of character to save Charles Wallace? It's an exhilarating, enlightening, suspenseful journey that no child should miss. The other books of the Time quartet, continuing the adventures of the Murry family, are ; , which won the American Book Award; and . (Ages 9 and older) --Karin Snelson --This text refers to an out of print or unavailable edition of this title. Review "The chief characters of A Wrinkle in Time return in a complex sci-fi / fantasy adventure that is both similar and superior . . . The action is precipitated by Charles Wallace's failing health and his difficulties in being accepted by other children now that he's started school. Meg and O'Keefe are enlisted again to fight evil, this time in the shapre of Echthroi ('Light snuffers. Planet darkeners. The dragons. The worms. Those who hate.'), which are spreading through the universe. Guided by their mysterious teacher Blajeny and accompanied by a myriad-eyed, multiwinged cherubim named Proginoskes, Meg, Calivn and Mr. Jenkins (the crusty, unimaginitive school principal with whom Meg ha shad difficulty in the past) must pass three ordeals in order to save Charles Wallace from the Echthroi. Once again it is love that enables Meg to overcome evil, and L'Engle reaches mystical ecstasy in describing Meg's apprehension of the beauty and unity of the universe. Complex concepts of space and time are handled well for youn greaders, and the author creates a suspensful, life-and-death drama that is believably of cosmic significance. Complex and rich in mystical religious insights, this is breathtaking entertainment." --Starred, School Library Journal --This text refers to the edition.

From Publishers Weekly Cash, pen name of sisters Pamela Cumbie and Jeffery McClanahan, delivers her third Domestic Equalizers novel (after My Heart May Be Broken but My Hair Still Looks Great), a read-in-the-bathtub West Texas caper featuring rodeo riders and identity thieves. Trouble comes to Salt Lick in the form of Quint Matthews, a former rodeo champ who asks beauty shop owners and "Domestic Equalizers" Debbie Sue Overstreet and Edwina Perkins-Martin to track down the identity thief who's been charging up his Visa. Quint, who happens to be Overstreet's ex-boyfriend, also has a second reason for coming to Salt Lick: to meet Allison Barker, a single mom whose 12-year-old daughter has assumed her mother's identity and "met" Quint for her through a dating Web site. As the Equalizers set up an online ruse to nab the identity thief, Quint's old pal Tag Freeman successfully woos Allison; a mysterious character stalks Quint; and Quint ends up the prime suspect in a possible murder. It all works out in the end, but not in a way readers would expect. The plot has its share of unlikely coincidences, but the order of the day is entertainment, and the book piles it on. (Nov.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title. From Salt Lick, Texas' ace detectives Debbie Sue and Edwina are at it again, defying their husbands' wishes by leaving their beauty parlor behind and hotfooting it out the door in pursuit of the latest criminal--or cheating husband, which, in their minds, is the same thing--in the guise of their alter egos, the Domestic Equalizers. But this time the cheating takes the form of credit-card theft, and the victim is none other than Debbie Sue's ex-main squeeze, rodeo heartthrob Quint Matthews, who hires them to track down his former girlfriend to make her stop using his Visa card. Quint's had more than his share of love trouble lately. After being publicly humiliated when the woman he had been dating turned out to be a man, Quint tries an Internet dating service, and is matched with Salt Lick's own Allison Barker, who would rather date his best friend. Sassy and sexy Cash's big-haired heroines dish up Texas-size fun. Carol HaggasCopyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.

Amazon.com Review : "The awful thing about life is this:" says Octave to the Marquis in Renoir's Rules of the Game. "Everyone has his reasons." That could be a motto for novelists as well, few more so than Jonathan Franzen, who seems less concerned with creating merely likeable characters than ones who are fully alive, in all their self-justifying complexity. Freedom is his fourth novel, and, yes, his first in nine years since . Happy to say, it's very much a match for that great book, a wrenching, funny, and forgiving portrait of a Midwestern family (from St. Paul this time, rather than the fictional St. Jude). Patty and Walter Berglund find each other early: a pretty jock, focused on the court and a little lost off it, and a stolid budding lawyer, besotted with her and almost burdened by his integrity. They make a family and a life together, and, over time, slowly lose track of each other. Their stories align at times with Big Issues--among them mountaintop removal, war profiteering, and rock'n'roll--and in some ways can't be separated from them, but what you remember most are the characters, whom you grow to love the way families often love each other: not for their charm or goodness, but because they have their reasons, and you know them. --Tom Nissley From Publishers Weekly Starred Review. Nine years after winning the National Book Award, Franzen's The Corrections consistently appears on "Best of the Decade" lists and continues to enjoy a popularity that borders on the epochal, so much so that the first question facing Franzen's feverishly awaited follow-up is whether it can find its own voice in its predecessor's shadow. In short: yes, it does, and in a big way. Readers will recognize the strains of suburban tragedy afflicting St. Paul, Minn.'s Walter and Patty Berglund, once-gleaming gentrifiers now marred in the eyes of the community by Patty's increasingly erratic war on the right-wing neighbors with whom her eerily independent and sexually precocious teenage son, Joey, is besot, and, later, "greener than Greenpeace" Walter's well-publicized dealings with the coal industry's efforts to demolish a West Virginia mountaintop. The surprise is that the Berglunds' fall is outlined almost entirely in the novel's first 30 pages, freeing Franzen to delve into Patty's affluent East Coast girlhood, her sexual assault at the hands of a well-connected senior, doomed career as a college basketball star, and the long-running love triangle between Patty, Walter, and Walter's best friend, the budding rock star Richard Katz. By 2004, these combustible elements give rise to a host of modern predicaments: Richard, after a brief peak, is now washed up, living in Jersey City, laboring as a deck builder for Tribeca yuppies, and still eyeing Patty. The ever-scheming Joey gets in over his head with psychotically dedicated high school sweetheart and as a sub-subcontractor in the re-building of postinvasion Iraq. Walter's many moral compromises, which have grown to include shady dealings with Bush-Cheney cronies (not to mention the carnal intentions of his assistant, Lalitha), are taxing him to the breaking point. Patty, meanwhile, has descended into a morass of depression and self-loathing, and is considering breast augmentation when not working on her therapist-recommended autobiography. Franzen pits his excavation of the cracks in the nuclear family's facade against a backdrop of all-American faults and fissures, but where the book stands apart is that, no longer content merely to record the breakdown, Franzen tries to account for his often stridently unlikable characters and find where they (and we) went wrong, arriving at--incredibly--genuine hope. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review "The authors have successfully brought explanations of the mechanisms behind complicated disease, with clinical tests and laboratory findings onto treatment options, all under one roof, in a way which enables it to be referenced quickly, and easily but to provide an in-depth source of reference which invariably leaves the reader feeling much more knowledgeable about a specific topic after reading the appropriate chapter. The detail of the text is very effectively reinforced by tables and diagrams which summarised the information and so the student of inexperienced clinician need not be intimidated to reach in and to delve for more information" Equine Veterinary Journal, August 2010 --This text refers to an alternate edition.

From School Library Journal Grade 10 Up—Aiming to present "clear, essential, and accurate historical information on major and minor wars, revolts, revolutions, rebellions, uprisings, invasions and insurrections," the third edition of this well-reviewed reference source (the second edition was published in 1999) contains some additions and other changes that reflect the upsurge of international and domestic terrorism and violence. About 50 of the 1850 entries have been modified. Each alphabetical section begins with a full-page black-and-white painting or drawing depicting an event or artifact covered in that section. Entries include the dates of events and a brief summary of their causes, effects, and consequences. The straightforward writing style emphasizes basic facts rather than arguments justifying or opposing each conflict. This, along with the occasional cross-references and helpful and complete general and geographic indexes, makes the encyclopedia accessible to most students. However, the work understates many of the genocidal campaigns and terrorist attacks that have taken place in history. For example, the Holocaust is only mentioned in one sentence in the entry on World War II, and the slaughter of two million Cambodians by Pol Pot's regime is deeply embedded in "Kampuchean Civil War of 1978–1998." Not a necessary purchase for libraries that have an earlier edition.—Jack Forman, Mesa College Library, San Diego Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From Plenty of new conflicts have occurred since the second edition of this dictionary appeared in 1999, not only the war in Iraq but the U.S. invasion of Afghanistan, the Chechen Civil War of 1999-2002, the Macedonian Civil War of 2001, and the ongoing Palestinian uprising, just to name a few. Entries, 50 of them new or extensively revised, briefly describe more than 1,800 wars over a period of more than 4,000 years. In addition to the general index, a "Geographical Index" provides useful points of access. Though not as comprehensive as the Encyclopedia of Wars (Facts On File, 2005) or International Encyclopedia of Military History (Routledge, 2006), this is now the most current among the several single-volume reference works on war. Mary Ellen QuinnCopyright © American Library Association. All rights reserved

Review “The Dictionary of Chinese Military History is the only English-language dictionary or one-volume encyclopedia of its kind....suitable for any library collecting Chinese military or political history.”–RUSQ “This dictionary on the recent military history of China is a useful reference tool for the study of contemporary China.”–American Reference Books Annual “...this read reference is a welcome resource for students of contemporary China.”–Parameters About the Author LARRY M. WORTZEL is a Colonel in the United States Army and a military intelligence officer, currently director of the Strategic Studies Institute at the U.S. Army War College in Carlisle Barracks, PA.

Amazon.com Review Jack McEvoy is a Denver crime reporter with the stickiest assignment of his career. His twin brother, homicide detective Sean McEvoy, was found dead in his car from a self-inflicted bullet wound to the head--an Edgar Allen Poe quote smeared on the windshield. Jack is going to write the story. The problem is that Jack doesn't believe that his brother killed himself, and the more information he uncovers, the more it looks like Sean's death was the work of a serial killer. Jack's research turns up similar cases in cities across the country, and within days, he's sucked into an intense FBI investigation of an Internet pedophile who may also be a cop killer nicknamed the Poet. It's only a matter of time before the Poet kills again, and as Jack and the FBI team struggle to stay ahead of him, the killer moves in, dangerously close. In a break from his Harry Bosch novels--including and --Edgar-winning novelist Michael Connelly creates a new hero who is a lot greener but no less believable. The Poet will keep readers holding their breath until the very end: the characters are multilayered, the plot compelling, and the denouement a true surprise. Connelly fans will not be disappointed. --Mara Friedman From Publishers Weekly In a departure from his crime novels featuring LAPD's Harry Bosch, Connelly (The Last Coyote) sets Denver journalist Jack McEvoy on an intricate case where age-old evils come to flower within Internet technology. Jack's twin brother, Sean, a Denver homicide detective obsessed with the mutilation murder of a young woman, is discovered in his car, dead of an apparently self-inflicted gunshot, with a cryptic note written on the windshield. Jack's investigation uncovers a series of cop suicides across the country, all of which have in common both the cops' deep concerns over recent cases and their last messages, which have been taken, he quickly determines, from the writings of Edgar Allan Poe. As his information reopens cases in Chicago, Baltimore, Dallas, New Mexico and Florida, Jack joins up with a team from the FBI's Behavioral Science Section, which includes sharp, attractive agent Rachel Walling. Connections between the dead cops, the cases they were working on and the FBI profile of a pedophile whom readers know as William Gladden occur at breakneck speed, as Jack and the team race to stay ahead of the media. Edgar-winning Connelly keeps a surprise up his sleeve until the very end of this authoritatively orchestrated thriller, when Jack finds himself in California, caught at the center of an intricate web woven from advanced computer technology and more elemental drives. Copyright 1995 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Bell's Breach of Promise contains less action than most of the author's thrillers, but it's edgier, taking on the prejudice against custodial single fathers and the idiocy of the legal system in general. It features Matt Gillen, a sometime actor who thinks he's leading an idyllic life because of his beautiful actress wife, Paula, and his cute daughter, Maddie. Then Paula gets a role in a famous Italian director's new movie. She promptly dumps Matt for the director, who brings his power and money to bear to ensure that Matt's custody fight for Maddie is almost hopeless. Except perhaps for the sweet made-for-TV ending, the story is engaging, shrewd about Hollywood, and contains some brilliant minor characterizations, such as Matt's father, a small-time criminal who thinks he's a flower child. John MortCopyright © American Library Association. All rights reserved From the Back Cover How far will a father go to get back his only daughter? And how will he survive in a legal system that crushes those who can't afford to fight back? Mark Gillen has the storybook life other men dream of, complete with a beautiful wife and an adoring five-year-old daughter. Then his wife announces she’s leaving him. And taking their daughter with her. The other man is a famous film director with unlimited funds and the keys to stardom and wealth for Paula. How can Mark begin to compete? But the most bitter blow comes when he is kept from seeing his daughter because of false charges . . . and a legal system ill-suited for finding the truth. Forged in the darkest valley Mark has ever walked through, his faith in God may ultimately cost him everything in the eyes of the family law system. But it is the one thing that can keep him sane—and give him the strength to fight against all odds for what matters most.